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Titania's Awakening
Painting ID:: 28047
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Henry Fuseli
Titania's Awakening
1780-90
Oil on canvas 222 x 280 cm (87 1/2 x 110 3/8 in)
Kunstmuseum Winterthur (mk63)
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Lady Macbeth Sleepwalking
Painting ID:: 30640
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Henry Fuseli
Lady Macbeth Sleepwalking
mk68
Oil on canvas
Paris,Louvre
c.1784
Britain
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Titania and Bottom
Painting ID:: 33806
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Henry Fuseli
Titania and Bottom
mk86
c.1780-17890
Oil on canvas
216x274cm
London,Tate Gallery
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Titania and Bottom
Painting ID:: 40602
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Henry Fuseli
Titania and Bottom
mk156
1780-90
Oil on canvas
217x275cm
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Lady Macbeth Seizing the Daggers
Painting ID:: 44567
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Henry Fuseli
Lady Macbeth Seizing the Daggers
mk173
ca.1812
Oil on canvas
91.4x114.3cm
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Henry Fuseli
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Swiss-born British Romantic Painter, 1741-1825
Henry Fuseli was the first artist to command the epic literature and heroic history of northern Europe as well as the Mediterranean countries, and by his wide reading and close study of the Old Masters he equipped himself to extend the scope of history painting far beyond the traditional limits of the Bible and classical antiquity. In his speculative boldness he was a child of the Enlightenment, but he was also a fierce critic of sterile rationalism and preached the gospel of the imagination with religious fervor.
Henry Fuseli was born Johann Heinrich F??ssli (in 1764 he Anglicized his name) in Zurich on Feb. 6, 1741, the son of a painter with strong religious convictions who destined him for the Zwinglian ministry. After a period of intensive theological study Fuseli was ordained in 1761 and preached his first sermon. He was a friend of Johann Kaspar Lavater, whose Aphorisms on Man he later translated into English from manuscript. Fuseli became the favorite disciple of Johann Jakob Bodmer, who in 1740 had published an essay on the wonderful in poetry that led to a literary war with Johann Christoph Gottsched in Germany and the formation of a revolutionary Swiss school which used English literature, especially Milton and Shakespeare, as a spearhead in promoting romanticism. |
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