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Henry Fuseli Titania's Awakening oil painting


Titania's Awakening
Painting ID::  28047
Henry Fuseli
Titania's Awakening
1780-90 Oil on canvas 222 x 280 cm (87 1/2 x 110 3/8 in) Kunstmuseum Winterthur (mk63)

   
   
     

Henry Fuseli Lady Macbeth Sleepwalking oil painting


Lady Macbeth Sleepwalking
Painting ID::  30640
Henry Fuseli
Lady Macbeth Sleepwalking
mk68 Oil on canvas Paris,Louvre c.1784 Britain

   
   
     

Henry Fuseli Titania and Bottom oil painting


Titania and Bottom
Painting ID::  33806
Henry Fuseli
Titania and Bottom
mk86 c.1780-17890 Oil on canvas 216x274cm London,Tate Gallery

   
   
     

Henry Fuseli Titania and Bottom oil painting


Titania and Bottom
Painting ID::  40602
Henry Fuseli
Titania and Bottom
mk156 1780-90 Oil on canvas 217x275cm

   
   
     

Henry Fuseli Lady Macbeth Seizing the Daggers oil painting


Lady Macbeth Seizing the Daggers
Painting ID::  44567
Henry Fuseli
Lady Macbeth Seizing the Daggers
mk173 ca.1812 Oil on canvas 91.4x114.3cm

   
   
     

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     Henry Fuseli
     Swiss-born British Romantic Painter, 1741-1825 Henry Fuseli was the first artist to command the epic literature and heroic history of northern Europe as well as the Mediterranean countries, and by his wide reading and close study of the Old Masters he equipped himself to extend the scope of history painting far beyond the traditional limits of the Bible and classical antiquity. In his speculative boldness he was a child of the Enlightenment, but he was also a fierce critic of sterile rationalism and preached the gospel of the imagination with religious fervor. Henry Fuseli was born Johann Heinrich F??ssli (in 1764 he Anglicized his name) in Zurich on Feb. 6, 1741, the son of a painter with strong religious convictions who destined him for the Zwinglian ministry. After a period of intensive theological study Fuseli was ordained in 1761 and preached his first sermon. He was a friend of Johann Kaspar Lavater, whose Aphorisms on Man he later translated into English from manuscript. Fuseli became the favorite disciple of Johann Jakob Bodmer, who in 1740 had published an essay on the wonderful in poetry that led to a literary war with Johann Christoph Gottsched in Germany and the formation of a revolutionary Swiss school which used English literature, especially Milton and Shakespeare, as a spearhead in promoting romanticism.

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     | Antoon Claeissens | William Shayer | Henrietta Mary Ada Ward |


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